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Complete Melodic House Start to Finish Academy (PML279)

Part 1 - Making a Melodic House Track from Start To Finish (with LAR)

Welcome to Part 1 (0:37)
I Intro (0:29)
II How to set up & Downloads (1:22)
1.1 - Template Setup (1:42)
1.2 - Programming the Kick (7:19)
1.3 - Clap (10:20)
1.4 - Foley Clap (2:56)
1.5 - Adding Hats and Shakers (12:31)
1.6 - Percussion and Groove (4:21)
1.7 - Drum Processing (6:56)
1.8 - Adding the Main Synth (20:26)
1.9 - Adding the Bass (12:47)
1.10 - Piano Stab (8:34)
1.11 - Synth Stab - Part 1 (3:19)
1.12 - Synth Stab - Part 2 (3:45)
1.13 - Sub Chords (5:47)
1.14 - Main Chords (10:49)
1.15 - Ocean Layer (3:23)
1.16 - Arp (Arpeggio) (12:56)
1.17 - Atmospheres - Part 1 (3:19)
1.18 - Atmospheres - Part 2 (3:57)
1.19 - Effects (FXs) (2:50)
1.20 - Main Groove Playthrough (0:21)
1.21 - Arrangement (19:17)
1.22 - Strings (11:18)
1.23 - Drop Effects (21:33)
1.24 - Automations - Part 1 (14:15)
1.25 - Automations - Part 2 (15:02)
1.26 - Automations - Part 3 (15:15)
1.27 - Track Playthrough (5:02)
1.28 - Adding Variance (11:05)
1.29 - Final Tweaks (11:24)
1.30 - Mixdown - Part 1 (14:53)
1.31 - Mixdown - Part 2 (16:06)
1.32 - Mixdown Playthrough (4:56)
1.33 - Mastering (18:05)
1.34 - Final Playthrough (5:01)

Part 2.1 - Music Theory: Drums and Groove (with Yannek Maunz)

2.1.1 - Introduction & Kick in the Style of Ben Böhmer (12:09)
2.1.2 - Hihat in the Style of Ben Böhmer (7:56)
2.1.3 - Layering in the Style of Ben Böhmer - Part 1 (6:57)
2.1.4 - Layering in the Style of Ben Böhmer - Part 2 (4:18)
2.1.5 - Layering in the Style of Ben Böhmer - Part 3 (8:20)
2.1.6 - Groove in the Style of Tim Green - Part 1 (14:54)
2.1.7 - Groove in the Style of Tim Green - Part 2 (12:01)
2.1.8 - Groove in the Style of Solanca - Part 1 (21:02)
2.1.9 - Groove in the Style of Solanca - Part 2 (14:45)
2.1.10 - Groove in the Style of Solanca - Part 3 (20:49)

Part 2.2 - Music Theory: Basics of Harmony

2.2.1 - Introduction into Harmony Course (4:48)
2.2.2 - Intervals (pdf download inside) (11:16)
2.2.3 - Scale (7:54)
2.2.4 - Triads (7:49)
2.2.5 - Overview and Definition of a Chord (10:40)
2.2.6 - Roman Numerals and Scale Degrees (3:10)
2.2.7 - Inversions (6:55)
2.2.8 - Minor Scale (5:57)
2.2.9 - Seventh Chords (14:27)
2.2.10 - Sus Chords (9:41)
2.2.11 - Power Chords (5:41)
2.2.12 - Voicing (4:02)

Part 2.3 - Music Theory: Chord Progressions and Examples

2.3.1 - Chord Progression (9:34)
2.3.2 - Chord Progression - Part 2 (7:56)
2.3.3 - Chord Substitution (9:50)
2.3.4 - Timing and Length (12:32)
2.3.5 - Passing Chords (7:55)
2.3.6 - Borrowed Chords (6:23)
2.3.7 - Borrowed Chords (Practical Example) (5:59)
2.3.8 - Secondary Dominants (7:06)
2.3.9 - Summary of Harmony Basics (3:04)
2.3.10 - Chord Progression in the Style of Ben Böhmer - Part 1 (10:44)
2.3.11 - Chord Progression in the Style of Ben Böhmer - Part 2 (15:20)
2.3.12 - Practical Session in the Style of Ben Böhmer (13:23)
2.3.13 - Chord Progression in the Style of "&Me" (13:09)
2.3.14 - Practical Session in the Style of "&Me" (9:32)
2.3.15 - Nils Hoffmann Chord Progression (11:43)
2.3.16 - Nils Hoffmann Practical Session (9:57)
2.3.17 - Chord Progression in the Style of Jan Blomqvist (16:16)
2.3.18 - Practical Session in the Style of Jan Blomqvist (12:55)
2.3.19 - Chord Progression in the Style of Massane (20:08)
2.3.20 - Practical Session in the Style of Massane (20:28)
2.3.21 - Chord Progression in the Style of Mind Against (16:08)
2.3.22 - Chord Progression in the Style of Rüfüs Du Sol (10:00)
2.3.23 - Practical Session in the Style of Rüfüs Du Sol (16:43)

Part 2.4 - Music Theory: Arps and Melody of Melodic House

2.4.1 - Welcome and Introduction into Arpeggiator (10:32)
2.4.2 - Ableton Arpeggiator (12:47)
2.4.3 - Advanced Arpeggios (7:41)
2.4.4 - Analysis of Massane Arps (1) (7:06)
2.4.5 - Analysis of Massane Arps (2) (10:11)
2.4.6 - Rules of Massane Arps (5:15)
2.4.7 - Practical Session (1) (10:29)
2.4.8 - Practical Session (2) (8:42)
2.4.9 - Practical Session (3) (9:35)
2.4.10 - Practical Session (4) (8:11)
2.4.11 - Practical Session (5) (13:01)
2.4.12 - Analysis of Solanca Arps (15:34)
2.4.13 - Practical Session (6) (18:21)
2.4.14 - Practical Session (7) (13:36)
2.4.15 - Background Arps (1) (13:52)
2.4.16 - Background Arps (2) (6:51)
2.4.17 - Final Thoughts (8:17)
2.4.18 - Introduction to Melody (14:34)
2.4.10 - In the Style of Ben Böhmer (20:12)
2.4.20 - Practical Session (8) (15:45)
2.4.21 - In the Style of Tim Green (18:52)
2.4.22 - In the Style of Solanca (12:44)
2.4.23 - Practical Session (9) (11:50)

Part 3 - Ear Candy for Melodic House (with Bound to Divide)

3.1 - Track Playthrough and Creating Ideas (12:17)
3.2 - Exploring more Techniques (19:58)
3.3 - Background Textures (15:38)

Part 4.1 - Mixing for Melodic House

Welcome to Part 4 (0:20)
4.1.1 - Introduction Mixing Course (Ruede Hagelstein) (12:19)
4.1.2 - First listen & EQ + Additional Downloads - Mix 1 (29:48)
4.1.3 - Kick Drum - Mix 1 (13:36)
4.1.4 - Drums Cleanup - Mix 1 (18:57)
4.1.5 - Bass - Mix 1 (3:53)
4.1.6 - Melodic Elements Stereo - Mix 1 (15:12)
4.1.7 - Drums Stereo - Mix 1 (4:27)
4.1.8 - Final Steps & Revisions - Mix 1 (12:58)
4.1.9 - First listen & EQ - Mix 2 (32:00)
4.1.10 - Bass & Kick Drum - Mix 2 (25:34)
4.1.11 - Drums - Mix 2 (22:43)
4.1.12 - Stereo - Mix 2 (32:09)
4.1.13 - Revisions - Mix 2 (39:40)
4.1.14 - Summary - Mix 2 (14:02)

Part 4.2 - Mastering for Melodic House

4.2.1 - Introduction Mastering Course (Alex Inggs) (8:51)
4.2.2 - Playthrough and Analysis Track 1 + Additional Downloads (7:21)
4.2.3 - Preparation and EQ - Track 1 (7:50)
4.2.4 - Compression and EQ - Track 1 (7:02)
4.2.5 - Final Touches - Track 1 (7:04)
4.2.6 - Playthrough and Analysis - Track 2 (6:23)
4.2.7 - Mastering - Track 2 (38:13)
4.2.8 - Revisions (6:32)

Part 4.3 - Mix & Master Summary

4.3.1 - Mix & Master Summary (11:34)
4.3.2 - Final Listen Together (13:19)

Part 5 - Music Business, Labels and Marketing

Welcome to Part 5 (0:35)
5.1 - How to Spotify (with Wesley Verhey) (21:30)
5.2 - How to get Signed: Sekora (Label) (19:59)
5.3 - How to get Signed: Anjunadeep (Label) (9:45)
5.4 - Thank You and Feedback (0:17)

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